CRWmusic

Arrangments and Compositions by Chad Weirick

Good Ol' Acappella!

  • SATB ( with soloist)
  • a cappella ( of course!)
  • Level 2
  • This song has become a staple for a cappella groups and every one has their own version of the tune. For my version, I added a little added rhythmic 'pop' with some syncopation. This is truly an easy piece to learn and is great for any soloist!

Sample PDF

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How Deep Is The Ocean

  • SATB
  • A Cappella
  • Level 3
  • This is a smooth as silk ballad for the average level jazz choir. A less-known standard, it is a great filler for a program with little rehearsal.
  • FREE!!!

COMPLETE PDF file

 

If I Fell

  • SATB
  • a cappella
  • level 3
  • This Beatles classic has great words and a haunting melody , not to mention the really interesting harmonies of the opening verse. This version slows the song down, adds some romantic voicings and some lush 'cascades' in the upper parts. It is really voiced for divided female voices with all the men in unison and works esp. well for choirs that have many women with few male voices.

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If I Loved You

  • SATB
  • a cappella
  • Level 3
  • This is one of my favorite Rodgers and Hammerstein songs from Carousel. I kept this version simple, with occasional 4-part texture but mostly 2 and 3 part. Very simple, calm amd quiet.

FREE!!!!

COMPLETE PDF

I Love A Parade

  • TTBB
  • With piano(and optional band parts on request)
  • Level 3
  • Harold Arlen ( of the Wizard of Oz fame) worte this fun march that is a staple of marching bands. In this version I added many surprise tunes including the march from Gomer Pyle USMC, some Sousa marches and even a hint of John Williams!

 

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In The Mood ( Bette Midler version)

  • SSA/TTB (with divisi)
  • With piano
  • Level 5
  • Glen Miller began with the instrumental version, the Andrews sisters then added words, but it took Bette Midler to re-record the song and put her own personal stamp on the tune to really make this song vocally shine! An unusual patter section and tough, tight harmonies make this a challenge, but so fun to sing!!

Sample PDF

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I Promise You A Happy Ending
  • TTBB
  • A Cappella
  • Level 3
  • From Jerry Herman's musical MACK AND MABEL, this lovely song makes a great insert for a concert. Easy to learn with 'barbershop' style harmony.

FREE!!!

Complete PDF file

Indian Summer

  • SATB
  • A Cappella
  • Level 5
  • One of my favorite ballads, here arranged in a lush romantic jazz choir setting. Not easy, but oh so gentle on the ears!

FREE!!!

Complete PDF file 

I Run For Life

  • SSA with divisi ( Could work for TTB or SATB with parts in octaves)
  • With piano
  • Level 3
  • Melissa Ethridge composed this powerful song for cancer survivors everywhere. The words are amazing and the melody has a great hook about running for your mother, your sister and life. This piece also lets your pianist rock out!

SAMPLE PDF

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Isn't It Romantic

  • SSA, TTB, SAB
  • a cappella
  • level 4
  • Rodgers and Hart wrote this American songbook classic back in the 1930's, and it is still one of lushest tunes around. This version is one time through the song with a small tag and a rich climax. Arranged for 3 parts in a mulitude of voicings, it is quick to put together and a good filler piece for a choral concert ( especially for Valentines Day!)

Sample PDF

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I've Grown Accustomed To Her Face
  • SATB
  • A cappella
  • level 3
  • From the hit musical "My Fair Lady' comes this beautiful ballad that has become a classic 'standard'. This version is easy to sing, with a surprising key change and  a chance for a soloist or two to shine. Great for any size choir.

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I Wish You Love

  • SATB
  • A Cappella
  • Level 5
  • A beautiful and romantic  jazz choir arrangement of this 1940's tune. This arrangement won special recognition at the Berklee Jazz Festival in 1999. It is challenging, but worth the effort. The piece changes keys dramatically half-way through the chorus for a true tear-jerker of an ending.


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I Wish You Love ( version 2)

  • SATB
  • Level 3
  • A Cappella
  • Designed for easy learning, this arrangement is in a bossa-nova style with simple to hear key changes and even one verse in French that allows the altos to shine! The ending is a surprise 'jazz' chord that brings it to a very satisfying close.

Sample PDF

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